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So, it’s time for a digital camera huh? Well, buying one can be more than a little difficult. What types of features should you look for? Well, this guide will tell you that plus get you a little more familiar with what these cameras are capable of.

Megapixels
When it comes to megapixels, the more the better. I recommend a minimum of 2, but 3 or 4 is great. We did a test to see if a camera with 2.3 megapixels (actually 1.92 - 1600 x 1200) could produce a good quality 8×10.

Turns out it can, if you have the right paper and printer. We used HP Premium Plus photo paper with an HP 970 series printer and made a fantastic 8 x 10. Remember, I was a professional photographer before I got into computing, so I know a good print when I see it :-)

The resolution at 8×10 (we had to crop in to make the picture proportional to 8×10) was only 150 DPI. Most printers would not make a real good 8×10 at that resolution, but this one did. So, if you want to be sure you can get good 8 x 10s, you may want to go with a 3 megapixel camera or better (that gives you around 200 DPI at 8×10 size, still not quite the optimum 300 DPI, but it looks good with the right printer).

Optical vs Digital Zoom
You’ve probably noticed that most digital cameras have both a specification for digital and optical zoom. Pay the most attention to the optical zoom.

The optical zoom magnifies (zooms in) using glass. The digital zoom basically crops out the edge of the picture to make the subject appear closer, causing you to lose resolution or to get an interpolated resolution (i.e. the camera adds pixels). Neither of which help image quality.

Finally, make sure you get enough (optical) zoom. A 2x zoom isn’t going to do much for you. A 3x is the average you’ll find in most digital cameras will probably be good for most uses. More on lenses later.

Connection
How does the camera connect to your computer? If you have a USB port in your computer, you’ll want a camera that can connect via USB as opposed to a slow serial connection.

On the other hand, if your computer doesn’t have a USB port, is there a serial connector available for the camera you’re looking at? If so, is it a special order and how long does it take to get it?

Storage
What does the camera use to store images with? If it uses a memory stick, make sure you consider buying additional sticks when you get your camera.

Some cameras use a 3.5 inch disk for storage. Be careful of these!
Although it may sound like a good idea, a 3 megapixel camera at high resolution produces a 1 meg file (compressed!). That’s only 1 picture per disk.

Here’s a few more things to look out for when trying to make your digital camera purchase.

Picture Formats
When you’re trying to decide on which digital camera to get, check and see how many different picture formats it supports.

You want something that can produce both uncompressed (usually TIFF) and compressed (usually JPEG) images. I personally use the high quality JPEG setting on my camera for most of my shooting. TIFFs are just too big and the difference in quality is not ascertainable by mere mortals.

You also want to be able to shoot at a lower resolution than the camera’s maximum. That way, If you’re running short on memory, you can squeeze a few more shots on your memory stick.

Auxiliary Lens / Flash
This was a biggie for me. While a 3x zoom may work for the “average” user, I needed something that allowed me to do some wide angle work as well as have a good telephoto lens.

So, the camera I purchased a few months back was a Nikon Coolpix 990 (note that this isn’t the only camera that can accept lenses). It has auxiliary lenses that screw into the filter ring on the front of the lens. I now have an ultra-wide fisheye lens plus a nice telephoto.

In addition to lenses, I wanted a good flash. The flash that is built into most of these cameras gives you a top range of 15-20 feet - at best. I wanted a camera that could take a powerful auxiliary flash (again, the Nikon isn’t the only camera that fits this requirement, but I liked it better than the rest). If you need more reach than the small built in flash can deliver, then make sure you can attach an external flash to any camera you consider.

As an added bonus, if you get a camera that can take an external flash, you can place that flash on a bracket and eliminate red-eye.

Flash Distance
Speaking of flashes, make sure you check the distance the built in flash is good for. You don’t want a camera with a wimpy flash that only travels a few feet (well, unless you can get an external flash for it as described above).

Battery Type
This may not sound important, but it is. Anyone who owns a digital camera can tell you they eat batteries the way a sumo wrestler eats at a buffet.

Make sure the camera can run on regular (or rechargeable) “AA” type batteries. You don’t want a camera that eats through expensive lithium batteries every 10 shots or so.

One thing to remember about digital cameras, they do eat through batteries. I recommend getting some Nickel Metal Hydride rechargeable for it. I have some for mine and they have saved me a fortune.

Final Notes
Choosing a digital camera isn’t easy. There’s a huge selection out there and only you can determine which features you need.

For instance, if you shoot wildlife photos, a small 3x zoom probably isn’t going to cut it (unless you can attach auxiliary lenses to it). If you shoot lots of close-ups, make sure the camera has some sort of macro capability. If you shoot big group photos indoors, an external flash may be necessary.

My advice is to make a list of things you want to be able to do with the camera then go to somewhere that can help you make a good purchase decision.

Finally, buy the BEST camera you can possibly afford. Or wait until the price drops on one with the type of features you want.

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We have always found that looking at objects from another perspective is fascinating. This is because of the fact that we often discover new things just by looking at a familiar object from a different angle or focus. This might be the reason for people’s fascination with digital macro photography.

Digital macro photography is an art. There’s no question about that. It takes the genius of an artist to take something so ordinary and something so dismissible and turn it into something that just captures an aspect of life. For that is what art is. No art ever claimed to contain all the truths of life. Art is a reflection of the world through the eyes of the artist. By looking at a piece of art such as digital macro photography, we get to share the perspective of other people and that can be a very powerful connection.

Another thing about digital macro photography you should know is that it is not easy. You need to consider a lot of factors in order to produce great photographs. What are these factors?

1) Skills – do you actually have the skills necessary for digital macro photography? Do you have the eye for beauty that would be appreciated by people who view your photographs? That’s not all you need. You also need to have a steady hand. While taking digital macro photographs, even barely noticeable movements of the hand can ruin your picture.

You need to have the skills to use a camera properly. You need to be able to adjust the camera in order to take the picture that you truly want to appear. Sure, you can actually edit a digital macro photograph using the computer, but why should you give yourself more work than necessary?

Some people have the necessary skills naturally. However, it is still important to hone these skills by taking classes or attending workshops. Remember that digital macro photography is all about showing things in different ways. Because of this, you need to accept the fact that other people may see your work differently from the way you see it. A fresh eye never hurts.

2) Equipment – you also need the proper tools in order to express your talent. The proper tools can help you a lot if you want to achieve the effect that you want. Remember that although there are tools today that claim to be usable for any type of photography, you should try to find equipment that’s specially made for digital macro photography. This is because such equipment can definitely bring out the best in your skills.

The right equipment is essential because digital macro photography needs a lot of work in order to be perfect. If you have the right tools for digital macro photography, you will be able to achieve your goals and show your pictures the way that you want them to be seen.

3) Subject – everything is interesting when viewed in different ways. However, some subjects are more interesting than others. Some objects, when you choose them as subjects of digital macro photography, manage to amaze you with the amount of things you do not know about them. Great subjects of digital macro photography reveal worlds beyond what you can see with the naked eye. So choose your subjects wisely.

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Maybe you have heard something like this before: “The better the cameras, the better the photos.” In this effect, you might have thought of digital cameras. Many believe that these models are just a one-click away for great photos. Do you also believe on this?

Ponder on the following article and the appropriate answer will be revealed to you.

The rivalry between film cameras and digital cameras is relatively fresh. How come? Three mega pixels digital cameras have an array of choices for consumers, which is already comparable to a high quality point and shoot models. Nowadays, the same thing goes with five mega pixels digital models for excellent quality photographs. The thing is, quality photographs can be taken with ease using digital cameras.

Some of the main advantages to digital photography are:

•    pictures can be previewed immediately on the built-in LCD screen
•    costs of installing films are replaced with memory sticks or cards that are primarily reusable and can store thousands of pictures
•    the stored photographs can easily be shared by copying off the images and/or sharing the memory stick or card
•    images can easily be transformed into black and white and/or sepia and can also be cropped after the picture has been taken

However, photos under low light and taken using film and digital models are both susceptible to artifacts or granularity. Images taken by both cameras appear to be very similar can be further improved with the advent of software that can improve and manipulate the quality and details of images.

Furthermore, you can take lousy shots with the most expensive Nikon models and make great photos with the passé point and shoot cameras. It suffices to say that it is not the camera that solely makes great and even picture-perfect images. The man behind the camera can squeeze or miss a big time out of the gadget that he has.

The following presents a ten-point aid that will enable you to take photos like a pro using your digital cameras. Practice on these tips so you can maximize the expense of your gadget.

1. Those Tones Should Warm Up

Change your white balance setting from auto to cloudy when shooting sunny landscapes and outdoor portraits. This increases the yellow and red tones, thus resulting in warmer and richer pictures.

2.  Use a [Sunglass] Polarizer

A polarizer should always come in handy when taking those general outdoor shooting. Polarized shots have more saturated and richer colors because unwanted reflections and glare are minimized or even removed.

If your digital camera can not accommodate a polarizer, simply place a sunglass as close to the camera lens as possible making sure that the rims of the glass will not be taken along with the image. The effect of a polarizer can be maximized when the light source is perpendicular to the object.

3. Shining Outdoor Portraits

One of the most useful and amazing features of digital cameras is the flash on or fill flash mode. This feature allows you to take control when to use the flash. It simply goes on whenever you want it available. This helps in capturing great outdoor photographs.

The camera exposes for the background first then adds enough flash to illuminate the subject when you are using the flash on option. Wedding photographers have been using this technique for many years to create professional looking portraits where everything in the composition is simply excellent.

To come up with a more relaxed photograph, try putting the subject under the shade and use the flash to add illumination.

You can also practice on using rim lighting where the sun illuminates the hair of the subject from the side or the back.

However, you should not stand that far away when using the fill flash since most built-in models have a range of 10 feet or even less.

4. Macro Mode Frenzy

I am quite sure that you would want to look at the fine details of your surroundings but would not be willing to crouch down and lie on the ground with your belly.

In that case, you just have to look for the macro made or close up symbol, usually a flower icon, and get as close to an object as possible. Once the confirmation light signals you to shoot, just press the shutter down to record the portrait.

However, using the close up mode allows you to have a shallow depth so you can concentrate on the part of the subject that you want to emphasize and let the rest go soft.

5. Chaos of the Horizon Line

There are still photographers who become disoriented when lining up their shoots. In other words, once they look at their cameras monitor, images that are erect seem to be a little tilted or bowed inward.

The most appropriate way to take care of this matter is to take your best shot at a straight picture, then take another picture after repositioning the camera. Afterwards, you can delete the others once you feel you captured a perfectly aligned image.

Also, just practice level framing your shots until you become acquainted with the process.

6. Massive Media Card

You have to have an extra memory card especially when you want more moments to preserve. The following suggestions should be considered before buying a memory card:
a.    for 3 mega pixels – a 256 MB memory card
b.    for 4 mega pixels – a 512 MB memory card
c.    for 6 mega pixels – 1 gigabyte memory card

Then you do not have to miss another shot because your card is full.

7. Not High Resolution All the Time

It is more advisable to squeeze more images by shooting a low quality and resolution settings than taking shots with a high resolution all the time. This way you can reserve a space and a 2272 x 1704 resolution on the next great image of the century and enough for the portrait to be printed on a 8” x 10” inch paper suitable for framing.

However, if you have enough memory (and you should), there is no reason to shoot at a lower resolution and risk missing the chance to display your work the big way.

8. Tolerate that Tripod

Tripods are “unnecessarily bulky” for some so seldom do people like to bring them around.

Nowadays, there is an ingenious way to settle the dilemma whether to bring a tripod around or to do without it. The UltraPod II™ developed by Pedco fits in your back pocket and holds your camera steady in various situations.

You can use the Velcro™ strap to attach your camera on a tree limb or an available pole. Its legs can be opened on any flat surface or even on a boulder.

Now, you can be a real photographer without carrying a heavy burden.

9. The Fun with Self Timer

Another under-used feature on almost every digital camera is the self timer. This function can be used to save the photographer for missing the picture by delaying the firing of the shutter up to 10 seconds.

You can attach your UltraPod™ to ensure that your camera will not be taken away that easily by some strangers.  Of course, you need to aim at the subject and not at a distant background before setting up the timer. Also the depth of the subject should be checked too.

By using self timers, you can also avoid accidentally jarring the camera when you are interested in making long exposures of cars driving at dusk as you initiate the focus.

10. Slow Motions

Normally, you will use an exposure of one second or a bit longer to create the flowing effect of water. In this case, you have to look for waterfalls or streams that are under the shade.

One trick is to use a polarizer or your sunglasses to darken the scene and create a longer exposure. More so, this technique can also eliminate distractions from your portrait.

For a really good photographer, which implies using creativity and ingenuity, viewers often get curious and ask, “What sort of camera model do you have there?”

Would it be more humbling for them to hear that you are using a normal aim and shoot model?

Or you can simply say, “Model ME….”

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